Gwen John, a pintora amante de gatos
Enviado por luisnassif, sab, 28/07/2012 - 10:09
Por Sublimação da Arte
GWEN JOHN [British Painter, 1876-1939]adored her cats, and depicted them frequently. This one, a tortoiseshell named Edgar Quinet, appears in most of her cat drawings, sometimes with her kittens.
WOMAN SEWING AT A WINDOW
THE CONVALESCENT
Gwendolen Mary John (22 June 1876 – 18 September 1939) was a Welsh artist who worked in France for most of her career. She is noted for her still lifes and for her portraits, especially of anonymous female sitters. John was an artist's model for (and later the lover of) the sculptor Auguste Rodin. Gwen John was born in Haverfordwest, Wales, the second of four children of Edwin William John and his wife Augusta (née Smith). Edwin John was a solicitor whose dour temperament cast a chill over his family, and Augusta was often absent from the children due to ill health, leaving her two sisters—stern Salvationists—to take her place in the household. Despite the considerable tension in the family (whose neighbours knew them as "those turbulent Johns") the children's interest in literature and art was encouraged. Following the mother’s premature death in 1884, the family moved to Tenby in Pembrokeshire, Wales.Although she painted and drew from an early age, Gwen John's earliest surviving work dates from her nineteenth year. From 1895 to 1898, she studied at the Slade School of Art, where her younger brother, Augustus, had begun his studies in 1894. During this period they shared living quarters, and further reduced their expenses by subsisting on a diet of nuts and fruit. Even as a student, Augustus' brilliant draughtsmanship and personal glamour made him a celebrity, and stood in contrast to Gwen's quieter gifts and reticent demeanour. Augustus greatly admired his sister's work, but urged her to take a "more athletic attitude to life" and cautioned her against what he saw as the "unbecoming and unhygienic negligence" of her mode of living. She refused his advice, and demonstrated throughout her life a marked disregard for her physical well-being.[3] In 1898 she made her first visit to Paris with two friends from the Slade, and while there she studied under James McNeill Whistler at the Académie Carmen. She returned to London in 1899, and exhibited her work for the first time in 1900, at the New English Art Club (NEAC). Her material circumstances were poor, and in 1900–01 she lived as a squatter in a derelict building.
http://www.wikipaintings.org/en/gwen-john
GWEN JOHN [British Painter, 1876-1939]adored her cats, and depicted them frequently. This one, a tortoiseshell named Edgar Quinet, appears in most of her cat drawings, sometimes with her kittens.
WOMAN SEWING AT A WINDOW
THE CONVALESCENT
Gwendolen Mary John (22 June 1876 – 18 September 1939) was a Welsh artist who worked in France for most of her career. She is noted for her still lifes and for her portraits, especially of anonymous female sitters. John was an artist's model for (and later the lover of) the sculptor Auguste Rodin. Gwen John was born in Haverfordwest, Wales, the second of four children of Edwin William John and his wife Augusta (née Smith). Edwin John was a solicitor whose dour temperament cast a chill over his family, and Augusta was often absent from the children due to ill health, leaving her two sisters—stern Salvationists—to take her place in the household. Despite the considerable tension in the family (whose neighbours knew them as "those turbulent Johns") the children's interest in literature and art was encouraged. Following the mother’s premature death in 1884, the family moved to Tenby in Pembrokeshire, Wales.Although she painted and drew from an early age, Gwen John's earliest surviving work dates from her nineteenth year. From 1895 to 1898, she studied at the Slade School of Art, where her younger brother, Augustus, had begun his studies in 1894. During this period they shared living quarters, and further reduced their expenses by subsisting on a diet of nuts and fruit. Even as a student, Augustus' brilliant draughtsmanship and personal glamour made him a celebrity, and stood in contrast to Gwen's quieter gifts and reticent demeanour. Augustus greatly admired his sister's work, but urged her to take a "more athletic attitude to life" and cautioned her against what he saw as the "unbecoming and unhygienic negligence" of her mode of living. She refused his advice, and demonstrated throughout her life a marked disregard for her physical well-being.[3] In 1898 she made her first visit to Paris with two friends from the Slade, and while there she studied under James McNeill Whistler at the Académie Carmen. She returned to London in 1899, and exhibited her work for the first time in 1900, at the New English Art Club (NEAC). Her material circumstances were poor, and in 1900–01 she lived as a squatter in a derelict building.
http://www.wikipaintings.org/en/gwen-john
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